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  • he wealthiest man in the world, John P. Merrick, is a private person who likes to stay anonymous. One of his many assets, and a minor one at that, is Neeley's Department Store. There is labor unrest at the store, most of the employees' anger directed at Merrick, who they hang in effigy outside the store despite not knowing what he looks like. Merrick, not happy at what he sees going on, decides to go undercover working at the store to mete out the rabble-rousers. Undercover as Thomas Higgins, Merrick gets assigned as a sales clerk in the shoe department, where he is taken under the caring wing of his colleague Mary Jones, who sees in Higgins a poor man needing the guidance of friends. One of those other friends is Elizabeth Ellis, who Mary sees as a possible "Mrs. Higgins". Mary's boyfriend is Joe O'Brien, the chief organizer of the employees, four hundred of whom are following Joe in the charge against the store and Merrick. At the store, Merrick not only wants the list of the four hundred, but also wants to change those things he doesn't like at the store, chief amongst those being his shoe department section manager, Mr. Hooper. But as Higgins, Merrick also begins to see things a little differently, specifically from an employee's point of view.
  • 一九三四年,中央撤离苏区后,冬梅与党失去联系,同一些伤员组成游击队。抗战爆发前夕,冬梅接党指示,任游击队代表与国民党谈判。冬梅严词以对,遭敌人扣留。直到新四军代表到达炳金,在群众声援下才获释。
  • 该剧结合退伍军人再创业、军民融合的当下社会背景,讲述了空军某部炊事班战士佟铁钢带着退伍费自主创业,欲开一家伙头军客栈。他在退伍军人网站发帖寻找炊事班退伍合伙人,结果招来了他当年部队的老战友石涛、姜大雷等人。伙头军客栈开张后实行军事化管理,上班按饭店岗位分工,下班后班务会按部队级别管理。他们秉承“老兵只赚良心钱”的原则,坚持为百姓、军人军嫂打折,为退伍战士排忧解难,经历了创业的种种艰难和感情的分分合合,老兵们再次成了荣辱与共的兄弟和战友。
  • 超级学霸沈心唯,是北美学术界备受瞩目的学术新星。他为人正直,坚持正义,却受人诬陷,一气之下回国另谋发展。不料刚一回国却摊上了更大的麻烦,生活都成了问题。白领那娜,刚与路凯在国外领证,却得知路家即将在国内与许家联姻。然而此时,那娜发现自己已经怀孕。机缘巧合下,沈心唯与那娜结识,那娜下定决心做个坚强的单亲妈妈,而沈心唯主动成为了她的月嫂先生。二人从针锋相对到逐渐了解,最终收获了爱情的沈心唯,也放下一直以来的“学术执拗”,从那娜和孩子身上找到了事业的新方向。
  • 该片通过对家庭与革命息息相通的关系的描写,展示了战士与群众的阶级觉悟和不屈不挠的斗争精神。 影片把主人公向五儿的革命信念和斗争行动放在她的苦难经历中去展现,并始终把她置于普通农村妇女的规定情境之中,使这一形象显得更加真实可信,质朴感人。这种处理革命历史和战争题材的别开生面的艺术手法,在建国初期曾引起较大反响。 该片摄影富有特色,在影片中能起到点染环境、烘托气氛的作用,不少镜头具有深刻的象征意义。 该片曾在1952年捷克斯洛伐克卡罗维·发利第7届国际电影节获摄影奖。1956年,该片又获文化部颁发的1949年至1955年优秀影片二等奖。